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    vercoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which
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    The Hero's Journey is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    ABRIDGED TIP(S):

    *****Rigidity*****

    All creative endeavours have a far higher degree of structure than is given credit. This is certainly true of screenwriting. In fact, it is not incorrect to say that screenplays have quite a rigid structure (The Hero's Journey).

    Though the structure is rigid, that does not mean it is absolute. For example the Inciting Incident can occur before or after the Ordinary World and Ordinary Self sequences, the Mentor can be met before or after the overcoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which p

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    you are to succeed in the craft.

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    ABRIDGED TIP(S):

    *****Rigidity*****

    All creative endeavours have a far higher degree of structure than is given credit. This is certainly true of screenwriting. In fact, it is not incorrect to say that screenplays have quite a rigid structure (The Hero's Journey).

    Though the structure is rigid, that does not mean it is absolute. For example the Inciting Incident can occur before or after the Ordinary World and Ordinary Self sequences, the Mentor can be met before or after the overcoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which

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    for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story.

    and more...

    ABRIDGED TIP(S):

    *****Rigidity*****

    All creative endeavours have a far higher degree of structure than is given credit. This is certainly true of screenwriting. In fact, it is not incorrect to say that screenplays have quite a rigid structure (The Hero's Journey).

    Though the structure is rigid, that does not mean it is absolute. For example the Inciting Incident can occur before or after the Ordinary World and Ordinary Self sequences, the Mentor can be met before or after the overcoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which

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    . This is certainly true of screenwriting. In fact, it is not incorrect to say that screenplays have quite a rigid structure (The Hero's Journey).

    Though the structure is rigid, that does not mean it is absolute. For example the Inciting Incident can occur before or after the Ordinary World and Ordinary Self sequences, the Mentor can be met before or after the overcoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which

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    vercoming of the Refusal and Interdictions. But do not take this to mean that you can subvert the structure at whim -there is a high degree of rigidity that you must conform to. For example, the Seizing the Sword sequence always follows the Trials and Transformations, the Rebirth through Death always follows the Seizing the Sword etc. Familiarity will teach you which parts can be cut and pasted and which cannot.

    *****Advanced Learning and Changing*****

    Advanced Competencies. This [Middle Cave of the First Threshold] is where the Hero et al advance on their training.

    In Spartacus (1960), the slaves are well trained and dangerous now.

    In The Matrix (1999), Neo is impressed that he learns Kung Fu quickly. He wants more.

    Passive Hero. The Hero is still learning at this stage and is still passive.

    In The Matrix (1999), this is where Neo practices his new found martial arts with Morpheus.

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