Answer Upon - Hero's Journey - Master of the Two Worlds

The Hero's Journey:

· Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

· Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

· Interpreted metaphorically, laterally and symbolically, allows an infinite number of varied stories to be created.

The Hero's Journey is also a study of repeating patterns in successful stories and screenplays. It is compelling that screenwriters have a higher probability of producing quality work when they mirror the recurring patterns found in successful screenplays.

Master of the Two Worlds

The Master of the Two Worlds is in fact the Final Conflict between the hero and the antagonism. Here, the hero has developed sufficiently to be master of both his Old and his New World. There are a number of elements that are common in this stage of the Hero's Journey:

a) The Master of the Two Worlds may be separate or a continuation of the Crossing of the Return Threshold. If a continuation, it is likely that the hero will undergo an impossible dilemma before moving forward to tackle the antagonist. In Spiderman (2002), Peter Parker has to save the people in the falling lift or Mary Jane – he cannot do both. Once this challenge is overcome, he is free to combat the Green Goblin.

b) The hero faces the antagonist one-on-one / a hand-to-hand battle. In Star Wars (1977), Vader has to come out to face Luke.

c) The Master of the Two Worlds / Final Confrontation often takes place in a dangerous environment. It is not unusual for the battle to occur in the antagonist's lair. In Lord of War (2005), Yuri faces off Valentine in prison – somewhere where he will likely spend the rest of his days if not careful.

d) The Hero will often view the Final Confrontation from a distance and judge it. The hero will be strangely confident. Similarly, the anticipated event will (often) be welcomed by the antagonist, who will also be confident.

e) There will be intense Time Pressure to resolve the conflict. This is most apparent in the Bond franchise, where a nuclear bomb or similar is usually set to explode.

f) Multiple catharses. The hero may defeat the antagonist over a series of stages or alternatively, catharses are built up by the defeat of multiple antagonisms (the antagonist, his lieutenants and the manifestation of their dastardly deeds etc). In Spiderman (2002), the Green Goblin is defeated, he begs for mercy, enacts a deception and is only then finally destroyed. In Die Hard (1988), John McClane defeats Hans – but Karl suddenly appears from under the paramedic's blanket.

Learn more...

The detailed, complete deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at Some Blog Themes are Better SEO Than Others
If you have absolutely no idea what the theme of your blog should be one suggestion is to look at several indexes of large portals on the Internet and see how they categorize themes and topics. Clickbank at www.clickbank.com provides a good example of what the main topics on earth are. However in general popular blog categories include news, society, culture, politics, religion, ecology, commentary, technology, business to business,y of repeating patterns in successful stories and screenplays. It is compelling that screenwriters have a higher probability of producing quality work when they mirror the recurring patterns found in successful screenplays.

Master of the Two Worlds

The Master of the Two Worlds is in fact the Final Conflict between the hero and the antagonism. Here, the hero has developed sufficiently to be master of both his Old and his New World. There are a number of elements that are common in this stage of the Hero's Journey:

a) The Master of the Two Worlds may be separate or a continuation of the Crossing of the Return Threshold. If a continuation, it is likely that the hero will undergo an impossible dilemma before moving forward to tackle the antagonist. In Spiderman (2002), Peter Parker has to save the people in the falling lift or Mary Jane – he cannot do both. Once this challenge is overcome, he is free to combat the Green Goblin.

b) The hero faces the antagonist one-on-one / a hand-to-hand battle. In Star Wars (1977), Vader has to come out to face Luke.

c) The Master of the Two Worlds / Final Confrontation often takes place in a dangerous environment. It is not unusual for the battle to occur in the antagonist's lair. In Lord of War (2005), Yuri faces off Valentine in prison – somewhere where he will likely spend the rest of his days if not careful.

d) The Hero will often view the Final Confrontation from a distance and judge it. The hero will be strangely confident. Similarly, the anticipated event will (often) be welcomed by the antagonist, who will also be confident.

e) There will be intense Time Pressure to resolve the conflict. This is most apparent in the Bond franchise, where a nuclear bomb or similar is usually set to explode.

f) Multiple catharses. The hero may defeat the antagonist over a series of stages or alternatively, catharses are built up by the defeat of multiple antagonisms (the antagonist, his lieutenants and the manifestation of their dastardly deeds etc). In Spiderman (2002), the Green Goblin is defeated, he begs for mercy, enacts a deception and is only then finally destroyed. In Die Hard (1988), John McClane defeats Hans – but Karl suddenly appears from under the paramedic's blanket.

Learn more...

The detailed, complete deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at Did You Know That Coupons Help Track Your Advertising Dollars?
It's not just the cost of a product that is on the customer's mind. Customers like to save money. They know that if they save a dollar, that's another dollar still tucked away in their pocket or bank account. All though there is still a big percentage of shoppers who do not utilize coupons, it certainly brings attention to the customers eyes when they see the possibility of saving a buck or two. Many will even take time to clip out the Return Threshold. If a continuation, it is likely that the hero will undergo an impossible dilemma before moving forward to tackle the antagonist. In Spiderman (2002), Peter Parker has to save the people in the falling lift or Mary Jane – he cannot do both. Once this challenge is overcome, he is free to combat the Green Goblin.

b) The hero faces the antagonist one-on-one / a hand-to-hand battle. In Star Wars (1977), Vader has to come out to face Luke.

c) The Master of the Two Worlds / Final Confrontation often takes place in a dangerous environment. It is not unusual for the battle to occur in the antagonist's lair. In Lord of War (2005), Yuri faces off Valentine in prison – somewhere where he will likely spend the rest of his days if not careful.

d) The Hero will often view the Final Confrontation from a distance and judge it. The hero will be strangely confident. Similarly, the anticipated event will (often) be welcomed by the antagonist, who will also be confident.

e) There will be intense Time Pressure to resolve the conflict. This is most apparent in the Bond franchise, where a nuclear bomb or similar is usually set to explode.

f) Multiple catharses. The hero may defeat the antagonist over a series of stages or alternatively, catharses are built up by the defeat of multiple antagonisms (the antagonist, his lieutenants and the manifestation of their dastardly deeds etc). In Spiderman (2002), the Green Goblin is defeated, he begs for mercy, enacts a deception and is only then finally destroyed. In Die Hard (1988), John McClane defeats Hans – but Karl suddenly appears from under the paramedic's blanket.

Learn more...

The detailed, complete deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at Work Smarter Not Harder
It’s true. I have been accused of spouting clich?s just like the title of this article.Here are a few other favorites of mine:Plan Your Work and Work Your PlanInch by Inch Life is a Cinch….Yard by Yard it’s HardEverything in its Place….A Place for EverythingIn my coaching practice I find there are two types of practitioners: visual and linear. One is not better than the other and many people are coonist's lair. In Lord of War (2005), Yuri faces off Valentine in prison – somewhere where he will likely spend the rest of his days if not careful.

d) The Hero will often view the Final Confrontation from a distance and judge it. The hero will be strangely confident. Similarly, the anticipated event will (often) be welcomed by the antagonist, who will also be confident.

e) There will be intense Time Pressure to resolve the conflict. This is most apparent in the Bond franchise, where a nuclear bomb or similar is usually set to explode.

f) Multiple catharses. The hero may defeat the antagonist over a series of stages or alternatively, catharses are built up by the defeat of multiple antagonisms (the antagonist, his lieutenants and the manifestation of their dastardly deeds etc). In Spiderman (2002), the Green Goblin is defeated, he begs for mercy, enacts a deception and is only then finally destroyed. In Die Hard (1988), John McClane defeats Hans – but Karl suddenly appears from under the paramedic's blanket.

Learn more...

The detailed, complete deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at How to Profit from Creative Home Businesses
Ideas for creative home businesses are everywhere. Many of them are already in your head, and you just don’t know it. Here are some questions to get your own creative business ideas flowing: What hobbies do I enjoy? What do I already know how to do? Do I want to pursue this full-time or part-time? Am I good with my hands? Do I want to learn a new craft? What do I love? When it es of stages or alternatively, catharses are built up by the defeat of multiple antagonisms (the antagonist, his lieutenants and the manifestation of their dastardly deeds etc). In Spiderman (2002), the Green Goblin is defeated, he begs for mercy, enacts a deception and is only then finally destroyed. In Die Hard (1988), John McClane defeats Hans – but Karl suddenly appears from under the paramedic's blanket.

Learn more...

The detailed, complete deconstruction and the Complete 188 stage Hero’s Journey and FREE 17 stage sample and other story structure templates can be found at http://managing-creativity.com/

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Kal Bishop, MBA

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