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Answer Upon - Hero's Journey (Monomyth) - Screenwriting Secrets - Story Structuring
There are people who put their dreams in a little box and say, "Yes, I've got dreams, of course, I've got dreams." Then they put the box away and bring it out once in a while to look in it, and yep, they're still there. These are great dreams, but they never even get out of the box. It takes an uncommon amount of guts to put your dreams on the line, to hold them up and say, "How good or how bad am I?" That'
*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in
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The 188 stage Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE 188 STAGE HERO'S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.heros-journey.info/ for full details)
*****Exile*****
Sometimes the Hero is simply banished or exiled from his Old World and arrives in a New World in which he will undergo his Transformation. In Platoon (1986), Taylor simply arrives in Vietnam. In Dead Poets Society (1989), the boys simply are at their new school.
In such situations, it is made explicit that the Hero is a Fish out of Water. In Platoon (1986), Taylor arrives as a rookie. In Dead Poets Society (1989), it is the first day of school.
*****Final Conflict: Inner Resolve*****
Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. In Straw Dogs (1971), post the Unbearable Antagonism, David finds Inner Resolve: ".....this is where I live....I will not allow violence against this house....."
*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in
Summer is right around the corner and most of us have our to-do- lists figured out, mentally, if not written down yet. Bible camp for the kids, plant a large garden, and a trip to the lake. What about financial housekeeping, shouldn't that be on your list too?Early summer is a great time to take a financial breather. The holidays are a long way off, the taxes have just been paid and we're spendi
THERE IS ONLY ONE STORY
THE 188 STAGE HERO'S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.heros-journey.info/ for full details)
*****Exile*****
Sometimes the Hero is simply banished or exiled from his Old World and arrives in a New World in which he will undergo his Transformation. In Platoon (1986), Taylor simply arrives in Vietnam. In Dead Poets Society (1989), the boys simply are at their new school.
In such situations, it is made explicit that the Hero is a Fish out of Water. In Platoon (1986), Taylor arrives as a rookie. In Dead Poets Society (1989), it is the first day of school.
*****Final Conflict: Inner Resolve*****
Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. In Straw Dogs (1971), post the Unbearable Antagonism, David finds Inner Resolve: ".....this is where I live....I will not allow violence against this house....."
*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in
Generating traffic to your site is only half of the milestone found for generating sales. The other half lies in building a house list of prospects that repeatedly visit your site for one reason or the other. There is no use only having a large list of prospects; it is necessary for your members to be responsive too.The first thing that has to be done to create a responsive list is to build a website
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES:
(simply go to http://www.heros-journey.info/ for full details)
*****Exile*****
Sometimes the Hero is simply banished or exiled from his Old World and arrives in a New World in which he will undergo his Transformation. In Platoon (1986), Taylor simply arrives in Vietnam. In Dead Poets Society (1989), the boys simply are at their new school.
In such situations, it is made explicit that the Hero is a Fish out of Water. In Platoon (1986), Taylor arrives as a rookie. In Dead Poets Society (1989), it is the first day of school.
*****Final Conflict: Inner Resolve*****
Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. In Straw Dogs (1971), post the Unbearable Antagonism, David finds Inner Resolve: ".....this is where I live....I will not allow violence against this house....."
*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in
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In such situations, it is made explicit that the Hero is a Fish out of Water. In Platoon (1986), Taylor arrives as a rookie. In Dead Poets Society (1989), it is the first day of school.
*****Final Conflict: Inner Resolve*****
Post the Crossing of the Return Threshold and before the Master of Two Worlds and Selves, a hell of a lot happens that is rarely given mention. The Final Conflict (a metaphor for this stage) follows a distinct process. In Straw Dogs (1971), post the Unbearable Antagonism, David finds Inner Resolve: ".....this is where I live....I will not allow violence against this house....."
*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in
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*****Fish out of Water*****
Here, on arrival into the Great Cave of the First Threshold, it is demonstrated that the Hero is obviously out of his depth, a Fish out of Water. In Star Wars (1977), Luke is obviously a Fish out of Water in the bar.
Being a Fish out of Water means the Hero is reacted to in particular ways:
Unwelcome. The Hero and his accomplices are made to feel decidedly unwelcome. In An American Werewolf in London (1981), the pub landlady refuses courteous service.
Unfriendly. The inhabitants are unfriendly. No one wants to know you if you don't fit in.
Differentiation. Those who do fit into this world will establish their suitability for it and the unsuitability of the Hero. Often symbols are used. In Star Wars (1977), one of the criminals is wanted in several star systems and shows his scars.
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