it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated

Bestseller generally means selling a great number of books, starting around 30-50 thousand copies. Certain bookstores report the sales to certain lists and the title is listed as Bestseller. Well, many, many bookstores that sell lots of author’s books don’t report to those lists. Then there are ordinary writers like you and me who sell thousands of books on their own and they don’t report to those lists. Those lists don’t include self-published or small press writers. Many bookstores and lists that have bestsellers don’t report to Publisher’s Weekly, the New York Times and USA Today. What a huge disparity!

But I want to share with you what all such books have in common, reported and unreported— all are rather well written, most have a fresh concept, and all are pretty well edited. So in this equation, we know that bestsellers have three things in common: 1) they’re well written. 2) Have a fresh concept, 3) they’re well edited—no typos or verb-noun disagreement, no misspelling, or run on sentences—only if the writer is breaking the rule to prove some point.

I’ve read quite a few bestsellers that are simple and straightforward, some with twists and turns, but they all have those three qualities in common, and my writing experiences allow me to take the myth out of how they get to be bestsellers. To show that you have a bestseller in you. We all have one; it just needs to be written, edited, polished and promoted. I took five years to write my bestseller-kind-of- novel, but I had no one to teach me the next step. I’m moving toward it in the trial and error mode. I want to make this easier for you. These articles are dedicated to those of us who want to be bestsellers. Ordinary sales just aren’t enough for us. We’re experimenting with writing the bestseller-kind-of-book, polishing and promoting it to bestseller status. I’ll share every tip with you as we go along.

Now back to Bestseller. I consider a bestseller as a book that is well written, has a fresh concept, and is promoted and sold to a lot of readers. That’s exactly what Mark victor Hansen (Chicken Soup for the Soul) did. He sold those little simple books from the back of his car until he found his path to becoming a bestseller—getting publicity is one of the paths. He started doing lots of radio interviews every day. But his way might not be your way. It all depends on your book. And then, it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated b

uge disparity!

But I want to share with you what all such books have in common, reported and unreported— all are rather well written, most have a fresh concept, and all are pretty well edited. So in this equation, we know that bestsellers have three things in common: 1) they’re well written. 2) Have a fresh concept, 3) they’re well edited—no typos or verb-noun disagreement, no misspelling, or run on sentences—only if the writer is breaking the rule to prove some point.

I’ve read quite a few bestsellers that are simple and straightforward, some with twists and turns, but they all have those three qualities in common, and my writing experiences allow me to take the myth out of how they get to be bestsellers. To show that you have a bestseller in you. We all have one; it just needs to be written, edited, polished and promoted. I took five years to write my bestseller-kind-of- novel, but I had no one to teach me the next step. I’m moving toward it in the trial and error mode. I want to make this easier for you. These articles are dedicated to those of us who want to be bestsellers. Ordinary sales just aren’t enough for us. We’re experimenting with writing the bestseller-kind-of-book, polishing and promoting it to bestseller status. I’ll share every tip with you as we go along.

Now back to Bestseller. I consider a bestseller as a book that is well written, has a fresh concept, and is promoted and sold to a lot of readers. That’s exactly what Mark victor Hansen (Chicken Soup for the Soul) did. He sold those little simple books from the back of his car until he found his path to becoming a bestseller—getting publicity is one of the paths. He started doing lots of radio interviews every day. But his way might not be your way. It all depends on your book. And then, it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated

hose three qualities in common, and my writing experiences allow me to take the myth out of how they get to be bestsellers. To show that you have a bestseller in you. We all have one; it just needs to be written, edited, polished and promoted. I took five years to write my bestseller-kind-of- novel, but I had no one to teach me the next step. I’m moving toward it in the trial and error mode. I want to make this easier for you. These articles are dedicated to those of us who want to be bestsellers. Ordinary sales just aren’t enough for us. We’re experimenting with writing the bestseller-kind-of-book, polishing and promoting it to bestseller status. I’ll share every tip with you as we go along.

Now back to Bestseller. I consider a bestseller as a book that is well written, has a fresh concept, and is promoted and sold to a lot of readers. That’s exactly what Mark victor Hansen (Chicken Soup for the Soul) did. He sold those little simple books from the back of his car until he found his path to becoming a bestseller—getting publicity is one of the paths. He started doing lots of radio interviews every day. But his way might not be your way. It all depends on your book. And then, it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated

-book, polishing and promoting it to bestseller status. I’ll share every tip with you as we go along.

Now back to Bestseller. I consider a bestseller as a book that is well written, has a fresh concept, and is promoted and sold to a lot of readers. That’s exactly what Mark victor Hansen (Chicken Soup for the Soul) did. He sold those little simple books from the back of his car until he found his path to becoming a bestseller—getting publicity is one of the paths. He started doing lots of radio interviews every day. But his way might not be your way. It all depends on your book. And then, it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated

it could be your way. We shall see.

If your book is dull, objectionable, thrown together with a weak plot and cardboard characters, no amount of promoting is going to give it legs to stand on as a bestseller. I am going to be using live examples, even by page numbers, to teach you how to write the bestseller-kind-of-novel, because fiction is more difficult to promote than nonfiction. With nonfiction, thousands of people need to know exactly what you’re sharing and are willing to pay right then according to fulfill their need. But fiction is born into a competitive world—mostly dominated by the popularity of the author’s name—sports figures, actresses, actors, the queen, the president, the President’s wife. Fiction books that immediately become bestsellers are usually those written by big name celebrities or well-known authors. Don’t blame the publisher for knowing that people recognize those names and will pay. Those names get free publicity on Good Morning America, The Today Show and USA Today, and Oprah isn’t out of the question.

But don’t fear. There is a way to sell tons of fiction books for ordinary people like you and me. You have to do your part to change your life in one fell swoop—from struggling writer to sought after, wealthy author.