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    American companies historically are driven to look at the bottom line. This is in contrast to German companies, which tend to focus on technology; or Japanese companies, which tend to focus on geography. While the bottom line focus does show a snapshot of company performance, it reveals nothing of what generated that final number OR what can be done to improve it. BUT we use it anyway to make many decisions, and we can be fooled by what it seems to be telling us.MORE THAN THE BOTTOM LINEHow’s that…you ask? Well, let’s get really simple. Why do people buy from us in the firs
    original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more ti

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    According to a Pitney Bowes study, the average corporate executive receives upwards of 375 calls, voicemails, e-mails, faxes and letters each day. With such a deluge of information, is it any surprise that survey after survey indicates the time available to capture anyone’s attention is only a few seconds?Let’s face it, who has time to listen to a five minute rambling voicemail full of umms and ahhs or scroll through a six page e-mail? Along with annoying the recipient, long winded messages that are not deleted are usually flagged for review at a later time, slowing the process and in
    So, your band just finished recording their first album and are now looking to get 1000 retail-ready CD’s inside shiny jewel cases, with killer graphics and all the prerequisite bells & whistles for a CD replication project. Good for you and your band - this is by no means a trivial undertaking!

    But WAIT, there are potential land-mines around the corner if you’re not careful. Have you covered someone else’s song? Do you have samples of another artist’s music on your CD? What about copyright issues - both on your material, and anyone else’s? Unless you pay careful attention to the finer details, you could get burned – legally or otherwise… Ouch!

    The following tips, recommendations, considerations and answers to common questions that will help prevent you from falling into any land-mines or legal licensing pot holes and enable you to move forward on a successful CD replication project:

    Covering Someone Else’s Song:

    While many artists think it’s OK to cover someone else’s original performance without the necessary mechanical license - especially if there are no samples of that performance on their disc - you are in a legal grey-area and run the risk of having problems later on. It is therefore recommended that you obtain the mechanical license to comply with copyright laws and to properly pay royalties to the original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more tim

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    d-mines around the corner if you’re not careful. Have you covered someone else’s song? Do you have samples of another artist’s music on your CD? What about copyright issues - both on your material, and anyone else’s? Unless you pay careful attention to the finer details, you could get burned – legally or otherwise… Ouch!

    The following tips, recommendations, considerations and answers to common questions that will help prevent you from falling into any land-mines or legal licensing pot holes and enable you to move forward on a successful CD replication project:

    Covering Someone Else’s Song:

    While many artists think it’s OK to cover someone else’s original performance without the necessary mechanical license - especially if there are no samples of that performance on their disc - you are in a legal grey-area and run the risk of having problems later on. It is therefore recommended that you obtain the mechanical license to comply with copyright laws and to properly pay royalties to the original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more ti

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    g tips, recommendations, considerations and answers to common questions that will help prevent you from falling into any land-mines or legal licensing pot holes and enable you to move forward on a successful CD replication project:

    Covering Someone Else’s Song:

    While many artists think it’s OK to cover someone else’s original performance without the necessary mechanical license - especially if there are no samples of that performance on their disc - you are in a legal grey-area and run the risk of having problems later on. It is therefore recommended that you obtain the mechanical license to comply with copyright laws and to properly pay royalties to the original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more ti

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    ginal performance without the necessary mechanical license - especially if there are no samples of that performance on their disc - you are in a legal grey-area and run the risk of having problems later on. It is therefore recommended that you obtain the mechanical license to comply with copyright laws and to properly pay royalties to the original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more ti

    CNBC's Business Of Innovation
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    original songwriter.

    Tips and Recommendations:

    - Contact the Harry Fox Agency in New York. Here you can obtain the license and prepay royalty fees. If you are replicating less than 2500 CD units, you can complete your application online by visiting the Song File website.

    - Perhaps a better choice, though more time consuming is to contact the copyright holder directly and negotiate a royalty rate. This could be a much better choice for you if your CD sells well. In order to find out who owns the song’s copyright you will have to contact American Society of Composers, Authors & Publishers (ASCAP)

    Sampling Other Artist’s Songs:

    This is not a grey-area, but a hard and fast rule:

    - If you are sampling another artist’s material (regardless of how small that sample), you must obtain the proper license – period!

    Tips and Recommendations:

    - This license is called a Master Use License. You cannot replicate copies of your CD without this licensing paperwork. Any replicator or CD replication company who makes you copies is potentially liable without this license - and will be very firm on this point and will not proceed with your order until you can produce it.

    - Again, you can find out who owns the rights to songs by contacting ASCAP. There are no exceptions to this rule, so be prepared ahead of time and don’t get your project rejected by your CD replication partner.

    Q: What is a IP Replication Rights Form?

    A: Most reputable CD replication companies have joined the Anti-Piracy Compliance Program run by the International Recording Media Association (IRMA). The IRMA prot

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